Informed by conversations with faculty and students, four imperatives guided design:

1. Create a new home for music that reflects the special character of Haverford.
The building is organized around a two-story lobby that serves as the “living room” for the building and where all activities are visible including the discrete activities of instruction, rehearsal, performance, and research. The lobby itself serves as the reading room for the music library and offers portals to the main rehearsal/performance space, the large music classroom, and the faculty offices. This space captures two entrances, providing a short-cut through the building that encourages non-majors to discover the music-making happening within.

2. Capture the immersive quality of being in a historic landscape.
Haverford’s campus is itself an arboretum, with expansive open spaces, hilltop quadrangles, and large heritage trees. The building is set so that the ground plane extends directly out into the landscape with views of Duck Pond to the east serving as a backdrop to performances. Natural light enters the rehearsal/performance space and the lobby from multiple directions.

3. Preserve open views from the college’s main quad out to the broader landscape.
The campus’s main quad, located at the top of the hill, is loosely enclosed by elemental stone buildings—the gaps between buildings providing powerful connections to the broader landscape. The Roberts Hall Music Building reconciles two seemingly contradicting objectives: providing a front door visible from the quad while preserving the vista between two existing stone buildings.

4. Achieve acoustical excellence.
Acoustical considerations of isolation, adjustability (tuning the hall for a wide range of ensembles), and reflection (leading to carefully sculpted surfaces) guided the project and led to its special shape and form to ensure a home for music with acoustics of the highest level.